Exhortation to the Greeks 4.51

Summary: Statues have less sense than the lowest animals; they are dead matter shaped by craftsmen, while the true God is known by the mind.

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Greek text · Stählin 1:39–40

εἰ δὲ αἰσθήσεως αὐτοὺς μετέχειν οἴονται, τί τούτους ἱστᾶσι θυρωρούς; Ῥωμαῖοι δὲ τὰ μέγιστα κατορθώματα τῇ Τύχῃ ἀνατιθέντες καὶ ταύτην μεγίστην οἰόμενοι θεόν, φέροντες εἰς τὸν κοπρῶνα ἀνέθηκαν αὐτήν, ἄξιον νεὼν τὸν ἀφεδρῶνα νείμαντες τῇ θεῷ. Ἀλλὰ γὰρ ἀναισθήτῳ λίθῳ καὶ ξύλῳ καὶ χρυσίῳ πλουσίῳ οὐδʼ ὁτιοῦν μέλει, οὐ κνίσης, οὐχ αἵματος, οὐ καπνοῦ, ᾧ δὴ τιμώμενοι καὶ τυφόμενοι ἐκμελαίνονται· ἀλλʼ οὐδὲ τιμῆς, οὐχ ὕβρεως· τὰ δὲ καὶ παντός ἐστιν ἀτιμότερα ζῴου, τὰ ἀγάλματα. καὶ ὅπως γε τεθείασται τὰ ἀναίσθητα, ἀπορεῖν ἔπεισί μοι καὶ κατελεεῖν τοὺς πλανωμένους τῆς ἀνοίας ὡς δειλαίους· εἰ γὰρ καί τινα τῶν ζῴων οὐχὶ πάσας ἔχει τὰς αἰσθήσεις, ὥσπερ εὐλαὶ καὶ κάμπαι καὶ ὅσα διὰ τῆς πρώτης γενέσεως εὐθὺς ἀνάπηρα φαίνεται, καθάπερ οἱ σπάλακες καὶ ἡ μυγαλῆ, ἥν φησιν ὁ Νίκανδρος »τυφλήν τε σμερδνήν τε«· ἀλλά γε ἀμείνους εἰσὶ τῶν ξοάνων τούτων καὶ τῶν ἀγαλμάτων τέλεον ὄντων κωφῶν· ἔχουσιν γὰρ αἴσθησιν μίαν γέ τινα, φέρε εἰπεῖν ἀκουστικὴν ἢ ἁπτικὴν ἢ τὴν ἀναλογοῦσαν τῇ ὀσφρήσει ἢ τῇ γεύσει· τὰ δὲ οὐδὲ μιᾶς αἰσθήσεως μετέχει, τὰ ἀγάλματα. πολλὰ δέ ἐστι τῶν ζῴων, ὅσα οὔτε ὅρασιν ἔχει οὔτε ἀκοὴν οὐδὲ μὴν φωνήν, οἷον καὶ τὸ τῶν ὀστρέων γένος, ἀλλὰ ζῇ γε καὶ αὔξεται, πρὸς δὲ καὶ τῇ σελήνῃ συμπάσχει τὰ δὲ ἀγάλματα ἀργά, ἄπρακτα, ἀναίσθητα, προσδεῖται καὶ προσκαθηλοῦται καὶ προσπήγνυται, χωνεύεται, ῥινᾶται, πρίεται, περιξέεται, γλύφεται. κωφὴν μὲν δὴ γαῖαν ἀεικίζουσιν οἱ ἀγαλματοποιοί, τῆς οἰκείας ἐξιστάντες φύσεως, ὑπὸ τῆς τέχνης προσκυνεῖν ἀναπείθοντες· προσκυνοῦσιν δὲ οἱ θεοποιοὶ οὐ θεοὺς καὶ δαίμονας κατά γε αἴσθησιν τὴν ἐμήν, γῆν δὲ καὶ τέχνην, τὰ ἀγάλματα ὅπερ ἐστίν. ἔστιν γὰρ ὡς ἀληθῶς τὸ ἄγαλμα ὕλη νεκρὰ τεχνίτου χειρὶ μεμορφωμένη· ἡμῖν δὲ οὐχ ὕλης αἰσθητῆς αἰσθητόν, νοητὸν δὲ τὸ ἄγαλμά ἐστιν. νοητόν, οὐκ αἰσθητόν ἐστι [τὸ ἄγαλμα] ὁ θεός, ὁ μόνος ὄντως θεός.

English · Claude translation

And if they think the statues have sense, why do they set them up as doorkeepers? The Romans, who ascribe their greatest successes to Fortune and think her the greatest goddess, carried her into a latrine and set her up there, assigning the privy to the goddess as a worthy temple. But senseless stone and wood and precious gold care nothing at all for the savor of burnt flesh, nor for blood, nor for smoke, by which they are honored and smoked and blackened; nor for honor, nor for insult. The statues are more worthless than any animal. How senseless things have come to be deified leaves me at a loss, and I pity those who wander in this folly as wretched. For even if some animals do not have all the senses, such as worms and caterpillars, and those that appear maimed from their very birth, like moles and the shrew-mouse, which Nicander calls “blind and dreadful,” yet they are better than these xoana and statues, which are completely dumb; for they have at least one sense, hearing, say, or touch, or one corresponding to smell or taste; but the statues share in not a single sense. There are many animals that have neither sight nor hearing nor even a voice, such as the race of oysters; yet they live and grow, and are even affected by the moon. But the statues are idle, inactive, and senseless; they are bound, nailed, and fastened on; they are cast, filed, sawed, polished, and carved. The sculptors dishonor the dumb earth, changing it from its proper nature and by their art persuading people to worship it; and the god-makers worship, to my mind at least, not gods and daemons, but earth and art, which is what statues are. For a statue is truly dead matter shaped by a craftsman's hand; but for us the image is not something perceptible made of perceptible matter, but something perceived by the mind. God, the only true God, is perceived by the mind, not by the senses.

About this passage

Source
Stählin 1:39–40 · Otto Stählin, ed., Clemens Alexandrinus, vol. 1, Protrepticus und Paedagogus, GCS 12 (Leipzig: Hinrichs, 1905) · Greek text: Otto Stählin, Clemens Alexandrinus 1: Protrepticus und Paedagogus (GCS 12, 1905), digitized by the First Thousand Years of Greek project (Open Greek and Latin), CC BY-SA 4.0
Translation
Claude translation (claude-opus-5-5), 2026-09-26 · Translated by Claude from the Greek text of Stählin (1905); made independently of existing English translations.

Notes

Translation notes

  • Clement plays on ἄγαλμα (“statue,” “image”): the Christian's “image” of God is spiritual, not material. The bracketed words are marked by the editor as a gloss.

Cite this passage

Clement of Alexandria, Protr. 4.51 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-protrepticus/4/51/).

Plain text
Clement of Alexandria, Protr. 4.51 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-protrepticus/4/51/).

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