To Diognetus 2.3
Traditional ascription rejected: The author is unknown. The only manuscript (destroyed in 1870) placed it among works of Justin Martyr, but the style is not Justin's. The name “Mathetes” sometimes used for the author comes from “a disciple of apostles” in 11.1. Chapters 11–12 probably come from a different work.
Summary: Idols are made by craftsmen from ordinary material.
Greek text · Lake, LCL 25:352
οὐ φθαρτῆς ὕλης ταῦτα πάντα; οὐχ ὑπὸ σιδήρου καὶ πυρὸς κεχαλκευμένα; οὐχ ὃ μὲν αὐτῶν λιθοξόος, ὃ δὲ χαλκεύς, ὃ δὲ ἀργυροκόπος, ὃ δὲ κεραμεὺς ἔπλασεν; οὐ πρὶν ἢ ταῖς τέχναις τούτων εἰς τὴν μορφὴν τούτων ἐκτυπωθῆναι, ἦν ἕκαστον αὐτῶν ἑκάστῳ, ἔτι καὶ νῦν, μεταμεμορφωμένον; οὐ τὰ νῦν ἐκ τῆς αὐτῆς ὕλης ὄντα σκεύη γένοιτʼ ἄν, εἰ τύχοι τῶν αὐτῶν τεχνιτῶν, ὅμοια τοιούτοις;
English · Claude translation
Are not all these of perishable matter? Were they not forged by iron and fire? Did not a stonecutter shape one, a smith another, a silversmith another, a potter another? Before they were molded into their shape by the skills of these men, was not each of them, and is it not still now, capable of being changed into anything else? Could not the vessels now made from the same material become like these, if they met the same craftsmen?
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Cite this passage
Diogn. 2.3 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/diognetus/2/3/).
Plain text
Diogn. 2.3 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/diognetus/2/3/).
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