Oration to the Greeks 8
Summary: The demons invented astrology and fate; the myths show the gods to be as passionate and contradictory as mortals.
Greek text · Otto 6:34–40
Ὑπόθεσις δὲ αὐτοῖς τῆς ἀποστασίας οἱ ἄνθρωποι γίνονται. Διάγραμμα γὰρ αὐτοῖς ἀστροθεσίας ἀναδείξαντες, ὥσπερ οἱ τοῖς κύβοις παίζοντες, τὴν εἱμαρμένην εἰσηγήσαντο λίαν ἄδικον. Ὅ τε γὰρ κρίνων καὶ ὁ κρινόμενος καθʼ εἱμαρμένην εἰσὶ γεγονότες, καὶ οἱ φονεύοντες καὶ οἱ φονευόμενοι, καὶ οἱ πλουτοῦντες καὶ οἱ πενόμενοι, τῆς αὐτῆς εἱμαρμένης ὑπάρχουσιν ἀπογεννήματα· πᾶσα τε γένεσις, ὥσπερ ἐν θεάτρῳ, τερπωλὴν παρέσχε τούτοις, παρʼ οἷς, ὥς φησιν Ὅμηρος, Ἄσβεστος δʼ ἄρʼ ἐνῶρτο γέλως μακάρεσσι θεοῖσιν. Οἱ γὰρ τοὺς μονομαχοῦντας βλέποντες καὶ θάτερος θατέρῳ σπουδάζων, καὶ ὁ γαμῶν καὶ παιδοφθορῶν καὶ μοιχεύων, γελῶν τε καὶ ὀργιζόμενος, φεύγων τε καὶ τιτρωσκόμενος, πῶς οὐχὶ θνητὸς εἶναι νομισθήσεται; Διʼ ὧνπερ γὰρ ἑαυτοὺς ὁποῖοί τινες πεφύκασι τοῖς ἀνθρώποις πεφανερώκασι, διὰ τούτων τοὺς ἀκούοντας ἐπὶ τὰ ὅμοια προετρέψαντο. Καὶ μήτι γε οἱ δαίμονες αὐτοὶ μετὰ τοῦ ἡγουμένου αὐτῶν Διὸς ὑπὸ τὴν εἱμαρμένην πεπτώκασι, τοῖς αὐτοῖς πάθεσιν ὥσπερ καὶ οἱ ἄνθρωποι κρατηθέντες; Καὶ ἄλλως δὲ πῶς τιμητέον τούτους παρʼ οἷς δογμάτων ἐναντιότης ἐστὶ πολλή; Ῥέαν μὲν γάρ, ἣν οἱ ἀπὸ τῶν Φρυγίων ὁρῶν Κυβέλην φασίν, ἀποτμήσεις αἰδοίων νενομοθετηκέναι διὰ τὸν ἐρώμενον ταύτης Ἄττιν· Ἀφροδίτη δὲ γάμου πλοκαῖς ἥδεται. Μάγος ἐστὶν Ἄρτεμις, θεραπεύει ὁ Ἀπόλλων. Καὶ μετὰ τὴν Γοργοῦς καρατομίαν, τῆς Ποσειδῶνος ἐρωμένης, ἀφʼ ἧς Πήγασος ὁ ἵππος καὶ ὁ Χρυσάωρ ἀνέθορε, τὰς σταγόνας τῶν αἱμάτων ἡ Ἀθηνᾶ καὶ Ἀσκληπιὸς διενείμαντο· καὶ ὁ μὲν ἀπʼ αὐτῶν ἔσωζεν, ἡ δὲ ἀπὸ τῶν ὁμοίων λύθρων ἀνθρωποκτόνος καὶ πολεμοποιὸς ἐγίνετο. Ταύτην μοι δοκοῦσιν Ἀθηναῖοι μὴ βουληθέντες διαβάλλειν καὶ τὸν ἀπὸ τῆς Ἡφαίστου μίξεως γινόμενον τῇ γῇ προσάπτειν, ἵνα μὴ νομίζηται καθάπερ ἡ Ἀταλάντη διὰ τὸν Μελέαγρον οὕτω καὶ ἡ Ἀθηνᾶ διὰ τὸν Ἥφαιστον τῆς ἀνδρείας ἐστερῆσθαι. Ὁ γὰρ ἀμφιγυήεις, ὡς εἰκός, ὁ πόρπας καὶ γναμπτὰς ἕλικας δημιουργῶν, τοῖς κοροκοσμίοις ἠπάτησε τὴν ἀμήτορα παῖδα καὶ ὀρφανήν. Ποσειδῶν ναυτίλλεται, πολέμοις Ἄρης ἥδεται, κιθαριστής ἐστιν ὁ Ἀπόλλων, Θηβαίοις Διόνυσος τυραννεῖ, Κρόνος τυραννοκτονεῖ. Ζεὺς καὶ θυγατρὶ συγγίνεται, καὶ ἡ θυγάτηρ ἀπʼ αὐτοῦ κύει. Μαρτυρήσει μοι νῦν Ἐλευσὶς καὶ δράκων ὁ μυστικὸς καὶ Ὀρφεὺς ὁ Θύρας δʼ ἐπίθεσθε βεβήλοις λέγων. Ἀϊδωνεὺς ἁρπάζει τὴν Κόρην, καὶ αἱ πράξεις αὐτοῦ γεγόνασι μυστήρια· κλαίει Δημήτηρ τὴν θυγατέρα, καί τινες ἀπατῶνται διὰ τοὺς Ἀθηναίους. Ἐν τῷ τεμένει τοῦ Λητοΐδου καλεῖταί τις Ὀμφαλός· ὁ δὲ Ὀμφαλὸς τάφος ἐστὶν Διονύσου. Ἐπαινῶ σε νῦν, ὦ Δάφνη· τὴν ἀκρασίαν τοῦ Ἀπόλλωνος νικήσασα ἤλεγξας αὐτοῦ τὴν μαντικήν, ὅτι μὴ προγνοὺς τὰ περὶ σὲ τῆς αὐτοῦ τέχνης οὐκ ὤνατο. Λεγέτω μοι νῦν ὁ ἑκατηβόλος, πῶς Ὑάκινθον διεχρήσατο Ζέφυρος. Ζέφυρος αὐτὸν νενίκηκε· καί, τοῦ τραγῳδοποιοῦ λέγοντος Αὔρα θεῶν ὄχημα τιμιώτατον, ὑπὸ βραχείας αὔρας νικηθεὶς ἀπώλεσε τὸν ἐρώμενον.
English · Claude translation
Human beings become the material for their apostasy. For the demons showed them a chart of the positions of the stars and, like dice-players, introduced fate, a thing utterly unjust. For the judge and the judged came to be as they are by fate; murderers and murdered, rich and poor, are the offspring of the same fate; and every birth, as in a theater, has provided entertainment for those among whom, as Homer says, “unquenchable laughter arose among the blessed gods.” For how can beings who watch gladiators and take sides, one for this man and one for that, who marry and corrupt boys and commit adultery, who laugh and grow angry, who run away and are wounded, not be thought mortal? By the very means through which they have shown people what their nature is, they have urged their hearers on to the same things. And have not the demons themselves, with Zeus their leader, fallen under fate, overcome by the same passions as human beings? And besides, how can one honor beings whose teachings contradict one another so much? Rhea, whom the people of the Phrygian mountains call Cybele, is said to have made castration a law because of her beloved Attis; but Aphrodite delights in the embraces of marriage. Artemis is a sorceress; Apollo heals. And after the beheading of the Gorgon, Poseidon's beloved, from whom sprang the horse Pegasus and Chrysaor, Athena and Asclepius divided the drops of blood between them: he saved lives with them, but she with the same gore became a slayer of men and a maker of war. It seems to me that the Athenians, not wishing to discredit her, attributed to the earth the child born of her union with Hephaestus, so that Athena should not be thought to have lost her maidenly strength through Hephaestus, as Atalanta lost hers through Meleager. For the lame god, it seems, the maker of brooches and curling spirals, beguiled the motherless orphan girl with trinkets. Poseidon goes sailing, Ares delights in wars, Apollo plays the lyre, Dionysus is tyrant of the Thebans, Cronus slays a tyrant. Zeus even lies with his daughter, and the daughter conceives by him. Let Eleusis now be my witness, and the mystic serpent, and Orpheus who says, “Shut the doors, you profane!” Aidoneus carries off Kore, and his deeds have become mysteries; Demeter weeps for her daughter, and some people are deceived because of the Athenians. In the precinct of Leto's son there is something called the Navel, and the Navel is the tomb of Dionysus. I praise you now, Daphne: by overcoming Apollo's lust you exposed his prophetic art, since he did not foresee what would happen with you and so gained nothing from his skill. Let the Far-Shooter tell me now how Zephyrus killed Hyacinthus. Zephyrus beat him; and though the tragic poet calls the breeze “the most honored vehicle of the gods,” Apollo was beaten by a slight breeze and lost his beloved.
About this passage
Notes
Translation notes
- Homer, Iliad 1.599.
- “Shut the doors, you profane!” is the opening formula of Orphic poems (Orphic fragment 1 Kern).
- The line about the breeze is from an unidentified tragedy.
- “Maidenly strength” renders ἀνδρεία (literally “manliness,” “valor”): Athena, like the huntress Atalanta, was a virgin, and Tatian insinuates that she lost her virginity.
- The Navel (ὀμφαλός) at Delphi was said by some to be the tomb of Dionysus.
Notes on the original text
- Digital text corrected (missing accent): γεγόνασι μυστηρια → γεγόνασι μυστήρια.
Cite this passage
Tatian, Or. Graec. 8 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tatian-oration/8/).
Plain text
Tatian, Or. Graec. 8 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tatian-oration/8/).
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